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Resident Evil: Afterlife

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In a world ravaged by a virus infection, turning its victims into the Undead, Alice continues on her journey to find survivors and lead them to safety. Her deadly battle with the Umbrella Corporation reaches new heights, but Alice gets some unexpected help from an old friend. A new lead that promises a safe haven from the Undead takes them to Los Angeles, but when they arrive the city is overrun by thousands of Undead – and Alice and her comrades are about to step into a deadly trap.
Written and directed by Paul W.S. Anderson — who returns to the series for the first time because the original film — this movie has an interesting appearance and some good, streamlined action sequences. It also has an intriguing element where many humans with opposing points of view come together to battle a larger evil.
Anderson also sets up some interesting prospective sub-themes — such as a collection of Hollywood people hiding from the zombies, in addition to the notion of the wicked firm — but he fails to really take these everywhere. Any psychological participation or intellect is cut down for the benefit of keeping things going, and that, in this type of film, is really a good thing. Overall, Resident Evil: Afterlife isn’t especially smart or initial, but it’s also not really that bad.
In RESIDENT EVIL: AFTERLIFE, Alice (Milla Jovovich) manages to infiltrate the secret underground headquarters of the Corporation. The guy in charge, Albert Wesker (Shawn Roberts), escapes and blows off the entire compound. He also manages to inject Alice using a serum that will destroy her superpowers and make her human again. She runs into her old buddy, Claire (Ali Larter), and then finds a bunch of humans trapped inside a vacant prison building in Los Angeles. They find that the signal is coming from a ship just off the coast, but how can eight people get from a building completely surrounded by hordes of the undead? And even if they do, how can they know the boat is really safe?


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