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In a series of escalating encounters, former security guard David Dunn uses his supernatural skills to track Kevin Wendell Crumb, a distressed man with twenty-four personalities. Meanwhile, the dark presence of Elijah Price appears as an orchestrator who holds secrets crucial to both guys.
Depending on how prepared you are to adopt (or forgive) M. Night Shyamalan’s nerdy, intertwined comic book mythos, this trilogy closer is surprisingly enjoyable on several levels. After Shyamalan’s Unbreakable (2000) and Split (2017), Glass nicely ties everything together, and as the conclusion might not be around the level of The Sixth Sense (what is?), the director has created a satisfying mini-universe on its own terms. The film’s philosophizing about comic books doesn’t go quite deep — it’s about how comics relate to reality than it’s all about the mystery of their wide appeal — but it is certainly relevant and interesting.
Since the film continues, explanations drag a bit too long, but the real trick lies in three secondary characters: Kevin’s former kidnap victim, Casey; David’s son, Joseph (Spencer Treat Clark); and Mr. Glass’s mother (Charlayne Woodard). The way these three perspectives their respective super-beings underscores just how significant the exceptional and the magnificent are to all people in our daily lives. As always, Shyamalan’s directorial technique is clean, and his shots are well-staged and well-chosen. But few would argue that whatever in Glass is much more astonishing than McAvoy’s performance, the celebrity embodies his personality’s various personalities in vibrant, emotional minutes.


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